![]() The film takes a sane and sober approach to the situation. Ryan Coogler, director and cowriter, was presented with a challenging and sensitive task when, shortly after a first draft was completed, Chadwick Boseman, Black Panther himself, died tragically at the age of 43. The main objective is to set an epic superhero yarn back on the rails. The Marvel Cinematic Universe was never going to be mistaken for a Trotskyist front. We are, however, soon back to the barely coherent fights in the sky and in the water. We get a tiny, tiny hint of something tastier here when, during a flashback to the era of the conquistadors, the Christian church is briefly identified as complicit in genocide. But the film’s politics were highly couched. ![]() The original Black Panther, a box-office smash and a best-picture Academy Award nominee in 2018, was justly celebrated as a breakthrough moment for black cinema. Nice if such things work out nice, I suppose. ![]() It is an odd feature of the Black Panther films that they construct a semi-Utopia around an absolute monarchy. On the other hand, an independent-minded viewer might cautiously point out that the two western nations are at least nominally democracies (for now). There is no reason to give in to the old colonisers. Wakanda has made good use of its Vibranium. The representatives of France and the United States are put firmly in their hoity-toity places. Early on in this sluggish sequel, the queen mother of Wakanda – played with Shakespearean relish, but no hint of King Charles’s late grandmother, by Angela Bassett – storms into a meeting of the United Nations.
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